K-pop, pop, gospel music, brazilian country and its branches; the making of a new big public success and how does it work? The super industry of mass music and the request for new music creations generate a real production line for hits. Songwriters are more and more requested by artistic offices for creating new successes for big performers. Companies are specializing in making new music and become real collectives of songwriters, just like new tools come up to find new hit songwriters all around Brazil, like the app Zannzi. Signs of a new time, where the single's ephemerality is even bigger? Or simply a reflection of a more accessible artistic production in the digital platforms? What's the lifespan and reach of a hit today, and how much it costs?
Room Capacity: 311 seats. With simultaneos translation (Portuguese/ English/ Spanish)